Red Desert
Dir: Michelangelo Antonioni
Italy/France, 1964, 117 minsmins, DCP
Cast: Monica Vitti, Richard Harris, Carlo Chionetti
Antonioni explores alienation in its deepest colors – in a film whose working title, perhaps ironically, had actually been Celeste e Verde (sky blue and green). His colors, however, are not those of a loving or healing nature but the palette of corrupted industrial landscapes and polluted waters. These powerful landscapes become the outward manifestations of the detachment and doubts of the heroine, Giuliana (Monica Vitti) amidst shifting demands of her industrialist husband (Carlo Chionetti), a foreign businessman (Richard Harris) and her son (Valerio Bartoleschi).
1964 Venice Film Festival, Golden Lion Best Film & FIPRESCI Prize
Further Readings:
Red Desert, From Defining Modernity: Michelangelo Antonioni (Hong Kong International Film Festival Society, 2009)
Remarks
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.
4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
5. Screenings at M+ Cinema: Tickets are available at URBTIX only. No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available from 30 minutes after the screening begins.
6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
