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Promise of the Flesh

  • Dir: Kim Ki-Young

  • South Korea, 1975, 105 minmins, DCP

  • Cast: Lee Jeong-kil, Kim Jee-mi, Park Jeong-ja

While Kim Ki-young is no stranger to remaking his own films throughout his career, the director chose to remake the much respected Lee Man-hee’s 1966 classic Late Autumn into this high camp, crazed love story. Jumping through flashbacks and the present, the film chronicles one woman’s devastating journey through abuse and exploitation before encountering true love during a special temporary parole from prison. Highly stylized and bombastically melodramatic, Kim’s disturbing and blunt depiction of toxic masculinity and the deep emotional scars it leaves on women is simply heartbreaking.

Daejong Film Awards : Best Actress and Best Recording

    Screening:

    In-theatre Screening

    Remarks

    1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.

    4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).

    5. Screenings at M+ Cinema: Tickets are available at URBTIX only. No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available from 30 minutes after the screening begins.

    6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.