Perceval
Dir: Eric Rohmer
France, 1978, 139 minmins, DCP
Cast: Fabrice Luchini, André Dussollier, Arielle Dombasle, Marc Eyraud
Offering a gorgeously evocative adaptation of Chrétien de Troyes’s 12th-century Arthurian poem, Rohmer creates a cinematic experiment and a personal adventure for the naïve, young Welsh knight Perceval, who goes through courtship, faith and chivalry in his discovery of spirituality and redemption. In a magnificent combination of medieval music, iconography and theatre, the French master transforms the mime and verse into stylised imagery of a stunningly coherent spectacle. A classical dramatisation mirroring his contemporary comedies, the odyssey is but a delightful variation of the Rohmerian youthful rite of passage.
French Syndicate of Cinema Critics: Best Film
Screening:
In-theatre Screening
2021-02-07 (Sun)
14:452021-02-27 (Sat)
17:25
Remarks
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.
4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
5. Screenings at M+ Cinema: Tickets are available at URBTIX only. No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available from 30 minutes after the screening begins.
6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
