An American in Paris
Dir: Vincente Minnelli
USA, 1951, 113minmins
Cast: Gene Kelly, Leslie Caron, Oscar Levant
Not your usual love triangle, since the kept “mistress” is a male. Director Vincente Minnelli and star Gene Kelly brings unusual dimensions to this story of a struggling American expatriate painter in postwar Paris, dancing (elegantly and literally) between his haughty patroness with benefits (Nina Foch) and the girl (Leslie Caron) who steals his heart by the Seine. All framed with witty asides by Oscar Levant. Bubbling with songs by George and Ira Gershwin (“I Got Rhythm”, “‘S Wonderful”) and an unforgettable climactic 17-minute ballet sequence of love and dancing.
1952 6 Academy Awards including Best Picture and Best Music – Scoring of a Musical Picture
Screening:
In-theatre Screening
2016-08-20 (Sat)
17:002016-08-25 (Thu)
19:30
Remarks
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.
4. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
5. Screenings at M+ Cinema: Tickets are available at URBTIX only. No tickets will be sold at the door. Tickets are available at URBTIX website, mobile app and outlets only. Ticketing services for respective screening will not be available from 30 minutes after the screening begins.
6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
